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The Five C's of Cinematography: Motion Picture Filming Techniques, by Joseph V. Mascelli
Ebook Free The Five C's of Cinematography: Motion Picture Filming Techniques, by Joseph V. Mascelli
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Product details
Paperback: 251 pages
Publisher: Silman-James Press; 1st Silman-James Press ed edition (August 3, 2005)
Language: English
ISBN-10: 187950541X
ISBN-13: 978-1879505414
Product Dimensions:
8.6 x 0.6 x 11.1 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
111 customer reviews
Amazon Best Sellers Rank:
#66,330 in Books (See Top 100 in Books)
Boy, this is gonna sound like an after midnight infomercial but here goes...Do you have no money to attend a prestigious film school for cinematography?Do you consider all filmmakers to be "touched by God" to be talented?Have you always wondered how to truly shoot a scene, a music video, a film but didn't know where to start?If you answered YES to all three questions the answer is: GET THIS BOOK. I kid you not.I read a lot of cinema books, especially on film theory and on cinematography they're essentially the only thing you need, and don't let 'em ever tell you that you NEED film school. I fell into that trap for a long time, a mind trap. Thinking I needed film school to "KNOW" or "grasp" how to make any kind of cinematic art. It's all BS and I'll tell you why. Sure, you can blow off a 100K+ on a film school where you WILL indeed learn from the masters - and that's something you have to decide for yourself if that's the path you want to take. You'll make connections and gain a networking of peers, though it doesn't always mean you'll get a "job" anywhere - whether it's a professional set or a TV station. The reason is that a BODY OF WORK is what matters. The sooner you can create it, the better your chances are at being noticed and taken seriously anywhere.This book - is FILLED with information that essentially breaks down CINEMATOGRAPHY to its fundamentals.Think of cinematography as a LANGUAGE. Afterall, it is a language - cinematic language. One must know the alphabet and understand the syntax of any language in order to properly speak it. Cinematography is NO DIFFERENT than learning a new language. It's only a 100 years old and it has an alphabet and a syntax which is LEARNABLE to anyone seriously considering learning it.I'll give you an example of one of my favorite passages out of the book right now."The camera angle chosen for each shot is determined by how the players and the action should be depicted at that particular moment in the narrative. Simple progression from long shot to close up may not always provide the most suitable type of sequence. For instance, subject matter or dramatic content of the story may require that the camera first record a close-up, in order to isolate, emphasize, or introduce a small object. An extreme long shot may be required to portray scope, grandeur, complexity; so that the audience fully appreciates the vastness, beauty, or conflict involved in the story. The over-all action of each sequence should be broken down before shooting and the type of shot required for each portion or the action determined in advance.Establish the setting with a long shot, or extreme long shot - if vast in nature. Move into a medium shot to introduce the players as a group, and use close-ups for individual screen filling shots of each. Employ long shots to show the players in relation to the background, and to allow them space to move from one place to another, as the action progresses. Use medium shots, particularly two-shots, to show important inter-action between players. Utilize close-ups to emphasize a particular action, or to isolate a player or action by removing all else from view. Use extreme close-ups for full-screen shots of very small objects or actions. Progress inward as the action develops. Move back to re-establish the over-all scene, to depict new developments, to introduce a new player or allow the players to move about. As example, contrast an extreme long shot of a missile launching with an extreme close-up of the firing button! Think in terms of dramatic impact on audience as well as visual variety."Now, if that isn't basic fundamental cinematography well summarized in two paragraphs, then I don't know what to say. And that is only a paragraph out of some 244 page book. Mascelli goes in depth throughout EACH aspect of cinematography, essentially breaking down why everything works the way it does and when to use it. Now sure, if you have no patience to even read this attentively, move on to something else - but if you dedicate the time and the effort to read everything attentively, take notes, underline, re-read passages, and truly grasp what's being said - you've already taken a huge step in understanding this craft. All it takes now is to go out and practice it. What's also great is that in reading this book you can read each section and just go out and practice filming those given things.It's about sharpening the eye, and it's about understanding that it's NOT TALENT, it's LEARNING this craft like anything else in life. Ridley Scott directed over 2000+ commercials in 15 years and he said it's about sharpening that eye. I'm also reminded of a quote by Christopher Doyle from FilmCraft: Cinematography. He said, "I am an anti-intellectual about the process because I think once you start intellectualizing, you scare the kids away from making their own mistakes. It also implies that we are above everyone else. I despise the hierarchy and sense of privilege, and the implication that it takes so much research and effort and correct knowledge to be what we are. I disagree. I happened into what I am doing. I am not an art student. Apparently I am partly color blind. I was never an assistant. Someone just gave me a camera and I am here."
The Five C's of Cinematography: Motion Picture Filming Techniques is very good at explaining how a story is told in the visual medium of motion pictures: camera angels, continuity, cutting, close-ups and composition. The audience draws conclusions that they use follow the story based up the choice of images that are presented. Knowing which images to use and how to present them has a huge impact in the successful telling of the story.My interest in this book was to create a better "full script" for a graphic novel. A movie script does not require - and should not have - detail about the mechanics of the camera shot. However, a "full script" for a graphic novel does require such detail for each panel. A top graphic novel artist requires less information than an aspiring artist with her degree in illustration.After I published my graphic novel, the feed back that I got was that the story was hard to follow. The Five C's of Cinematography: Motion Picture Filming Techniques is the perfect book for understanding what went wrong. In some cases, my choice of image was inappropriate. In other cases, the artist interpreted the image incorrectly and I lacked the expertise to correct them and ask for the appropriate image.I am going to reread The Five C's of Cinematography: Motion Picture Filming Techniques again. And again. There is a lot of information to digest.
The Five C's was originally recommended to me by LeSeanThomas or Boondocks, Black Dynamite and Avatar: The Legend of Korra (among others) fame. The book does a great job of breaking down film terms for the filmmaking novice and gives great example of those terms from film. This , along with Film Directing Shot by Shot, form the foundation of understanding in telling stories visually that is invaluable to anyone who intends to embark on an endeavor requiring a visual narrative, especially filmmaking (natch) or graphic novels.
While some of the references are somewhat dated the techniques this book promotes are still valid and useful. Some are now fashionable to flaunt like crossing views, but this makes some TV unwatchable because its jolting.The concept to protecting shots seems to have been lost in the video world as an editor I find this much more useful that the so-called coverage junk that I often have to deal with. Reshooting exactly the same scene from the same POV 13 times is NOT useful coverage! The editor needs ways to cut around mistakes and build up scenes by mix and match to do this he needs well thought out shooting not endless repetitions.If everyone who wants to be a director would read and pay attention to this book film and video quality would improve immensely!While this book is an essential read for directors, DPs and cameramen; I would highly recommend it to gaffers, grip and sound guys.
I film youtube videos and wanted to learn more about cinematography. The book is about cinematography in a time when digital cameras and home studios didn't really exist. The book goes into great details about the basics of cinematography and skills that you can put into place immediately. The authors tone throughout the book is very conversational and I had a great time reading it. If you're new to cinematography I would start here first.
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